Mid-October in Lower Manhattan, late afternoon. The sun has dropped low enough to light only the upper floors of the tenements along Mott and Mulberry, leaving the sidewalks in that particular shade of blue that arrives forty minutes before dusk. Ludwig Favre walks south, the way he has walked south for years, looking for the same squares of light to fall differently. The neighborhood is mostly unchanged from what it was in 1995, and mostly unchanged again from 1975, which is part of the reason the photographs feel as if they could have been made any time in the last forty years. What accumulates is less a portrait of a neighborhood than a record of attention: how a particular eye returns, again and again, to the same uninhabited corners; how the same fire escape, the same painted brick, the same parked van, can become the central subject of a photograph simply by being seen one more time. New York geometry reveals itself slowly, persistently, in the receding light.

What looks like emptiness, on second viewing, is actually attention.

The New York geometry series by Ludwig Favre is available as a limited edition fine art print, signed and numbered.

About Ludwig Favre

Ludwig Favre is a French photographer born in Paris. His cinematic urban work has been featured by Vogue, AD USA, L'Officiel, Condé Nast Traveler and many other international magazines, and exhibited in numerous galleries across the world. His photographs are held in private fine art collections worldwide and in the New York Ford Foundation Resident Artist Collection. He continues to travel and document the textures of the modern city.