Enjoy 10% off your first Fine Art print by signing up for the newsletter.
Ludwig Favre revisits the motel courtyard as a study in color and scale, where pastel pink walls contrast with the azure pool and neon-ringed inner tubes floating like discarded confetti. The palm trees stand sentinel over the scene, their shadows stretching across the concrete, while a lone figure lingers by the water’s edge. Favre’s lens isolates this slice of California vernacular, neither romanticizing nor critiquing, but observing the quiet drama of place, geometry, dust on the concrete, a car parked like an afterthought in the corner.
