Palm Springs evening light: houses, palms and mountains
Architecture leads these five frames. Also, a turquoise modernist house stands in the desert, and its smooth facade catches the last light. Another house sits behind palm trees at dusk. Because the walls are simple, the colors do the work. Also, the sky shifts from blue to a warm glow, so the houses seem to glow from within.
A red car adds a small surprise. Then, it rests near a modernist house, and its color stands out against the pale desert. Then a street scene shows palm trees and mountains in warm light. As a result, the series moves from quiet gardens to the open road. Nothing is crowded, and nobody is in a hurry.
Ludwig Favre waits for the minutes after sunset, when the light is gentle. In addition, he lets the desert, the houses and the palms share the frame. Because he keeps the same calm distance, the five pictures read as one scene. In the end, the series shows Palm Springs as a place of rest, where architecture and nature agree.