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Late afternoon light in New York carves sharp angles from brick facades and glass towers, the city’s vertical lines softened by overcast skies. Ludwig Favre returns to these moments where architecture is both frame and subject,tall buildings topped with red lettering, stone doorways adorned with carvings, or a chain-link barrier framing water beneath a dense skyline. The photographs are anchored in the city’s fall palette: muted brick, soft green lawns, and the occasional burst of color,a tricolor dog beside a man engrossed in his phone, a red neon sign glowing against a vertical facade. Gesture is minimal but deliberate; figures move through these spaces with quiet precision, their presence measured against the urban backdrop.






































