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Ludwig Favre photographs a Dodge pickup parked beneath an overhang of yellow-painted concrete at Number 271 in Palm Springs. The car’s silver body catches the light filtering through a high window, its chrome grille and curved fenders rendered with quiet precision. A second vehicle, half-visible on the right, suggests depth without intruding. Geometry, dust on the concrete, a car the color of a forgotten swimming pool, this is Favre at work in California’s desert, where modernism lingers in the details.

