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Ludwig Favre captures a white Mercedes parked before a mid-century residence, its chrome reflecting the low, warm light of the desert. The composition rests on the tension between the horizontal plane of the architecture and the vertical reach of the palm trees. Mountains, dust, and the sharp lines of California modernism. The image belongs to his ongoing Palm Springs catalogue, where the interplay of light and structured form defines the desert landscape, documenting the quiet geometry of the American Southwest.

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