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Ludwig Favre frames a moment of quiet repose within the architecture of Palm Springs. The silver car, a gleaming detail against the textured concrete and dense yucca, occupies the foreground of Favre’s ongoing study of mid-century domesticity. Geometry, dust on the concrete, a car the color of a forgotten swimming pool. It is part of his Palm Springs catalogue, where Favre’s interest lies not in grand vistas but in the precise poetry of everyday forms, the carport, the retaining wall, a carefully placed succulent.
