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Ludwig Favre photographs a Berlin subway platform, where a yellow train idles against a deep red wall and a man walks a bicycle past the doors. The figure blurs with motion, a dark silhouette dragging its wheel across the pale terrazzo floor. Above, two round lights glow in the black ceiling. To the right, a tiled column breaks into jagged black teeth, a geometry cut into the yellow. Color, friction, the pause between stations. The image belongs to his wider interest in the architecture of transit, the way mid-century form keeps its discipline long after the rush has moved on.
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