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Ludwig Favre photographs the TWA Flight Center at JFK Airport, an exercise in organic concrete and glass designed by Eero Saarinen. The frame captures the sweeping curves of the interior, the red carpet, the TWA sign and a small vintage car resting on the pale floor like an artifact in a museum. A geometry of optimism from the Jet Age. This image belongs to his wider interest in mid-century modernism, examining how the architecture of movement continues to hold its form long after the era of glamorous travel has passed.
