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Ludwig Favre frames a motel pool on the California coast, where the turquoise water holds a singular eye mosaic at its base. A yellow sign stands against a pale sky, letters tall and geometric. Blue umbrellas, loungers in a row, pink coral sculptures scattered like artifacts of a manufactured reef. The light is flat and midday, casting sharp edges across the concrete deck. This work belongs to his ongoing study of mid-century American vernacular architecture, exploring the intersection of leisure and planned geometry.

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