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Ludwig Favre frames a fleeting moment from the window of a moving train, where the blurred silhouette of a passenger anchors the foreground. Beyond the glass, the red brick of a tenement building rises against a flat, grey sky. A sign reading LOVE ME stands out in bold lettering, a stark contrast to the indifference of the surrounding concrete. Red bricks, industrial soot, the rhythmic passage of the city. This image belongs to his series on New York City, documenting the intersection of public architecture and private longing.

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