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Ludwig Favre frames the organic curves of the TWA Hotel terminal in New York, where white concrete sweeps upward against a sky of pale blue and drifting clouds. Red lettering, the nose of a vintage aircraft, the wide expanse of sun-bleached pavement. The composition emphasizes the tension between the fluid lines of the architecture and the static presence of the machine. This image belongs to his New York project, continuing an interest in mid-century modernism as a vessel for future nostalgia.

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